This season, Sarah will dramaturg productions of Lucas Hnath’s The Thin Place (Playwrights Horizons), Anne Washburn’s Shipwreck (Woolly Mammoth) and Eric John Meyer’s The Antelope Party (Dutch Kills), in addition to lending dramaturgical support during the New York Choreographic Institute’s fall intensive, a collaboration between the New York City Ballet and NYU’s Department of Design for Stage and Film. She is also producing Ngozi Anyanwu’s Good Grief and Lucy Thurber’s Transfers for Audible.
In May, Sarah was in residence at Montana Repertory Theatre in Missoula, Montana, where she dramaturged workshops of Kaela Mei-Shing Garvin’s The Bakunawa (formerly Butter Knife) and Martyna Majok’s Sanctuary City. She spent the month of June on campus at Texas Tech University with the WildWind Performance Lab, where she dramaturged workshops of new plays by Benjamin Benne, Jean Ann Douglass, Sam Myers, and Mara Nelson-Greenberg. In July, she directed a workshop of David Adjmi’s The Blind King at the Sundance Theatre Lab.
Earlier this spring, Sarah was the dramaturg for Heidi Schreck’s What The Constitution Means to Me and Lucas Hnath’s Hillary and Clinton (Broadway), and for The Mad Ones’ Mrs. Murray’s Menagerie (Ars Nova).