Current: Dramaturgy for Else Went’s Degenerates, directed by Emma Rosa Went, at Playwrights Horizons, and Ryan J. Haddad’s GOOD TIME CHARLIE, directed by Danny Sharron, at the Public, both in previews.
Upcoming: with the Mad Ones, a new production of Miles For Mary, directed by Lila Neugebauer and Caitlin Ryan O’Connell, at Signature Theatre.
RecenT: Dramaturgy for Shayok Misha Chowdhury’s Rheology, created in collaboration with Misha’s mother, Bulbul Chakraborty, at Playwrights Horizons and REDCAT (orig. Bushwick Starr/HERE/Ma-Yi); The Bengson's’ My Joy Is Heavy, directed by Rachel Chavkin, at New York Theatre Workshop; Ethan Lipton’s The Seat of Our Pants, directed by Leigh Silverman, and Else Went’s Initiative, directed by Emma Rosa Went, both at the Public; Jordan Tannahill’s Prince F, directed by Shayok Misha Chowdhury, at Playwrights Horizons/Soho Rep/STUDIO SEAVIEW; and Jordan Harrison’s The Antiquities, directed by David Cromer and Caitlin Sullivan, at Playwrights Horizons.
Sarah wrote about Rheology for Almanac here.
directing: Mara NElson-Greenberg’s A HEADSPACE MEDITATION (Playing on Air); and workshops of Lyndsey Bourne’s The Second Body and Mabel’s Mine (The Public/Brooklyn College) and We Share Spoons (Ars Nova), and Alex Lin’s PRIYANKA THARAKAN MUST DIE (National Asian American Theatre Company).
Ongoing: Projects in development with David Adjmi, Jeff Augustin, The Bengsons, Lyndsey Bourne, Ryan J. Haddad, and Mara Nelson-Greenberg.