Now running: Dramaturgy for Shayok Misha Chowdhury’s Rheology, created in collaboration with Misha’s mother, Bulbul Chakraborty, at Playwrights Horizons (orig. Bushwick Starr/HERE/Ma-Yi); and Martyna Majok’s adaptation of Susana Kaysen’s Girl, Interrupted, with original music by Aimee Mann and choreography by Sonya Tayeh, directed by Jo Bonney, at the Public.
Sarah wrote about Rheology for Almanac here.
directing: Mara NElson-Greenberg’s A HEADSPACE MEDITATION (Playing on Air); and workshops of Lyndsey Bourne’s We Share Spoons (Ars Nova) and Alex Lin’s PRIYANKA THARAKAN MUST DIE (NAATCO).
RecenT: Dramaturgy for The Bengson's’ My Joy Is Heavy, directed by Rachel Chavkin, at New York Theatre Workshop; Ethan Lipton’s The Seat of Our Pants, directed by Leigh Silverman (the Public); Else Went’s Initiative, directed by Emma Rosa Went (the Public); and Jordan Tannahill’s Prince F, directed by Shayok Misha Chowdhury (Playwrights Horizons/Soho Rep/STUDIO SEAVIEW).
Upcoming: Dramaturgy for Ryan Haddad’s GOOD TIME CHARLIE at the Public; and, with the Mad Ones, a new production of Miles For Mary at Signature Theatre.
Ongoing: Projects in development with David Adjmi, Jeff Augustin, The Bengsons, Lyndsey Bourne, Ryan J. Haddad, and Mara Nelson-Greenberg.